The first two minimalist minutes of this track didn’t bring a carnival (of either the county fair or Rio de Janeiro variety) to my mind. Instead, I pictured a tense scene with PCs trying to defuse a ticking time bomb. Later, the combination of what sounds like banjo- or guitar-picking in an almost bluegrass style with heavy doses of electronic “whining” gives the piece a kind of multiple personality disorder. Maybe composer Dave Woodrum meant for the “whines” to sound like trumpets, but they don’t; if they did, and if the banjos were louder, the piece might successfully evoke a bayou parade. If that’s what Woodrum wanted to achieve, the plan didn’t quite survive contact with his orchestration software. Better instrumentation, or better output results, would improve the track significantly.